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Main Course is the thirteenth studio album (eleventh worldwide) by the Bee Gees, released in 1975 by RSO Records. It was the group's last album to be released by Atlantic Records in the US under its distribution deal with Robert Stigwood. This album marked a great change for the Bee Gees as it was their first album to include mostly R&B, soul music, disco and funk-influenced songs, and created the model for their output through the rest of the 1970s. It rejuvenated the group's career and public image, particularly in the US, after the commercial disappointment of their preceding albums. Main Course was the first album to feature keyboardist Blue Weaver who had just left the Strawbs and toured with Mott the Hoople. The album cover with the band's new logo designed by US artist Drew Struzan made its first appearance here.
Maurice Gibb, on the other hand, cites their manager Robert Stigwood as the first to suggest Miami as the best place to record new songs. "He Robert showed us the picture on the cover of and said, 'You can rent that place and live there and record and get a sun tan.' We decided that it was our big chance to get serious about our music again so we went out there and did Main Course."
The band's sound became more technologically current with Mardin's incorporation of modern synthesizers and dual bass lines (the synthesizer bass was played by Blue Weaver and bass guitar by Maurice Gibb) on many of the songs, which started when Weaver decided to overdub a synthesizer bass line on the original demo of "Jive Talkin'." Weaver later commented that "nothing new has been invented to make such a tremendous difference to the sound as the synthesizer did, compared to an orchestra."
At first, the brothers were still writing in their old ways, with many of the songs being slower rock ballads. The first song recorded for the album was an unreleased track "Was It All in Vain?". The next songs recorded were "Country Lanes" and "Wind of Change". After co-producer Robert Stigwood heard these songs, he urged them to record in a more R&B style and "Wind of Change" was re-recorded again in February in its more familiar version. Another unreleased track, "Your Love Will Save the World" was recorded on 9 January, though it was later recorded by Percy Sledge. Once the Gibb brothers changed their style of writing, songs like "Jive Talkin'", "Nights on Broadway" and "Edge of the Universe" were recorded with an R&B influence, though ballads like "Songbird" and "Come on Over" were more country than R&B. The final song recorded for the album was "Baby As You Turn Away" which featured Barry singing the verses in falsetto, though not the strong falsetto which he would develop and use on future songs like "You Should Be Dancing" and "Stayin' Alive".
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